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Four Resources for Filmmakers, Actors & Directors + Bonus

November 22, 2014 by Aric Spence

Sandpoint Filmmaking NetworkI personally feel that learning about all aspects of filmmaking is such an important part of being able to successfully navigate the complex details of shooting an independent film.

I have been consuming a lot of storytelling information recently and stumbled into several resources that I think will benefit filmmakers, actors and directors immensely. All of the resources mentioned cost money (some more than others), but what could be better than being well prepared next time you embark on a project. FWIW, I can personally recommend all the resources featured below.


1. The first resource is from Michael Caine called “Acting in Film”. In this one hour DVD Mr. Caine gives you a once-in-a-lifetime chance to rob him blind! The man who’s hypnotized the camera lenses for a quarter of a century reveals the most closely guarded secrets on script preparation. working with the director, forming a character, voice, sound, and movement. Pearl by pearl he lays out the Caine wisdom on everything from set politics to set decorum, the film bureaucracy and more!

“A treasure … I’m not going to look at performances quite the same way … A grand entertainment with more drama than most movies … He’s a marvelous teacher … A real clear-cut lesson that every critic should see and everybody who goes to the movies should see… –Gene Siskel, Siskel & Ebert”


2. The next resource is from Uta Hagen called “Uta Hagen’s Acting Class: The DVDs”. Actors, directors, and teachers now have the opportunity to study with the legendary actress and teacher Uta Hagen for the first time on DVD. Shot over the course of two years, the interaction between Ms. Hagen and the actors and audience puts the viewer right in the room.

All ten of her celebrated Object Exercises are clarified and performed. Jack Lemmon, Whoopi Goldberg and Christine Lahti, among others – all former students – recall their classes with Ms. Hagen and her enduring influence on their work. As Ms. Hagen herself states, “When I believe that there is a human being in action up there, in that moment, alive – right there – then I get spellbound. When you really achieve that understanding of human nature, the ability to place yourselves in the shoes of another human being and reveal that life onstage, is to me the ultimate experience.” 2 DVDS, 200 MINUTES TOTAL!


3. The next resource is a book by Jennifer Van Sijll called “Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know”. This book includes many visual framegrabs from some of the best films in history and breaks down the conventions that particular scenes or entire movies utilize for cinematic storytelling.

The book also includes many script excerpts giving the reader a first hand look into some of the greatest screenplays ever written. The book covers everything from frame composition, editing, sounds effects, camera position, lenses, camera motion, and lighting just name a few. This is truly an enjoyable book and a resource that I will refer to again and again.


4. The next resource is over seven hours of actor training from the master himself called the “Sanford Meisner Master Class”. A comprehensive Master Class in acting taught by Sanford Meisner, this 8 hour instructional DVD set is the only existing video record of Meisner’s teaching. Essential viewing for film, TV and theater actors and directors, these DVDs also offer artists of all disciplines the opportunity to learn directly from a master who is now considered one of the most important acting theorists and teachers of the twentieth century.

In 1980, a group of Meisner’s alumni recognized the importance of preserving his teachings for future generations. They banded together and filmed a Master Class with Sandy, short clips of which were used in the 1984 PBS special Sanford Meisner: Theater’s Best Kept Secret. Until now, the rest of the 28 hours of footage remained archived and unavailable. This DVD-set finally makes the footage from this class available to the general public; for the first time since his death in 1997, students can experience the Meisner Technique as taught by Meisner himself.

Also available directly from the Meisner DVD website if amazon is out of stock.


Bonus Resource:

directing-motion-workshopThe Directing Motion Series with Vincent Laforet is hands down one of the most useful training series that I have ever purchased. Due to the cost, I agonized over whether to get it for quite a long time. Having watched the entire series three times now, I still find useful information which I did not absorb in the previous viewings. An expensive purchase, but I highly recommend it. If you are on a budget, the “Daytime Movement and Direction Workshop” is what I would recommend.

Excerpt from Directing Motion website:
One of the most important skills modern directors and DP’s are required to master is moving the camera in a dynamic and engaging way. This workshop will teach all levels of filmmakers the precise cinematic language of motion, and how to move not only the camera itself, but also content in front of the camera.

You will step away from this experience with a solid foundation in camera movement, blocking, lensing, and sequencing, and be able to direct any crew precisely and effectively to execute your vision. By understanding these principles thoroughly, you will add impact to your projects, from commercials through to webisodes, features, shorts, events, or documentaries.

More details about the Directing Motions Workshop Downloads can be found here: http://directingmotion.mzed.com/workshop

Video introduction to the workshop.

I hope you found some of the resources useful. Until next time, stay focused!

Filed Under: Filmmaking, Resources

Protected: Sandpoint Filmmakers Network Meeting Summary – October 11, 2014

October 13, 2014 by Aric Spence 2 Comments

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Filed Under: Filmmaking, Meeting Minutes

Protected: Sandpoint Filmmakers Network Meeting Summary – September 13, 2014

September 14, 2014 by Aric Spence Leave a Comment

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Filed Under: Filmmaking, Meeting Minutes, Sandpoint

Dancing Duck Man & Andorra – Festival at Sandpoint 2014

August 17, 2014 by Aric Spence 2 Comments

Dancing Duck Man and AndorraIn my ongoing efforts to film more, I have been looking for every opportunity to get out and capture local footage. Last Sunday, I had the distinct pleasure of filming the Dancing Duck Man and Andorra his blue 9+ foot alien companion at the Festival at Sandpoint “Family Concert”.

I have known Jerry Luther for more than thirty years, I first met him when I was around ten years old when he was selling “Hooey Sticks”, back when the Cedar Street Bridge was filled to the brim with artists and crafts people and the draft horse powered carriage would give people a tour of town every hour. Downtown Sandpoint was really a very special place back then. Perhaps in a future outing, I can film Jerry to do the “Hooey Man” pitch complete with bumpy propeller stick and all.

It was so much fun to finally be able to get some video of the Dancing Duck Man. It is quite magical to witness first-hand how the kids react to his ACT. To start it off, I got some decent interview footage, except for background noise from the “Instrument Petting Zoo” that disrupted some of the audio, oh well. Not to worry, the real magic is in the performance.

Dancing Duck Man and Andorra - Kids WatchingThe Dancing Duck Man and Andorra started off by wowing the kids in line who were waiting for the gates to open. There is something truly special about seeing children interacting with a live performer. I think the experience is even more important these days with all the electronic static that seems to fill every moment of most children and adults time.

After greeting the entire line we took a short break then headed out again to dance our way through the festival’s pre-concert activities. What fun! I even found myself laughing out loud while editing the video clips that were captured. Speaking of, here is the resulting completed video from that day. I hope you enjoy watching it as much as I enjoyed creating it. More thoughts below the video…

Filming with a DSLR Camera
One thing I love about the small form factor of DSLR cameras is that most people think you are just taking photos. The smaller size seems to help people be more at ease and natural than if I had a huge and intimidating video camera. I shot nearly all of the footage from the height perspective of a child trying to always be in a position to capture special moments as they unfolded. As with all outings, I learned a ton and will put the lessons learned into bettering my next filming opportunites.

Here are four things that may help others using a DSLR camera for live performances.

  1. Use a tripod with a fluid video head. Some of my footage has movement, but nothing close to the shaky-cam type of footage I would have gotten without a tripod.
  2. This goes without saying, but use manual focus. There is nothing worse than a computer hunting for focus and trying to decide what you want to focus on. I also find that having a focus handle attached to my lens to be a wonderful tool for this type of shooting.
  3. Pick the f-stop you think works best for what you are trying to capture and use a variable ND filter to dial in exposure when the lighting conditions change.
  4. If you shoot with a Canon camera, check out Magic Lantern’s free firmware tool. I could not do this type of video footage without it. Magic Lantern does focus peaking, spot metering and Magic Zoom among a multitude of other video centered features that Canon really should have included in their cameras from the start.

For the camera gear geeks…
Camera Used: Canon 60D with Magic Lantern firmware tools
Lens Used: Vintage, all manual Takumar 55mm f/1.8 lens with M42 to EOS adapter
In-camera Custom Picture Style: CineLook by VisionColor
Tripod and Head: Aluminum tripod with a Manfrotto 701HDV fluid head

What is next in cue?
Two items I still have to edit are the Chautauqua that came through Sandpoint and the Sandpoint Fly-in which I shot last weekend. Not sure when I will have time to do them, but they will be posted in the blog when they are complete.

Want to be part of future projects like this or perhaps you just want to get more familiar with the video capabilities of your DSLR or mirrorless camera? Join the no-cost Sandpoint Filmmakers Network and become part of a pool of local resources for making films in Sandpoint.

Feel free to comment below, just be sure to solve the SPAM prevention math problem before submitting your reply.

Filed Under: Filmmaking, News, Sandpoint Tagged With: Dancing Duck Man, Feastival at Sandpoint, Filmmaking, Idaho, Sandpoint

Sandpoint, Idaho – Classic Boat Festival 2014

July 14, 2014 by Aric Spence 2 Comments

Wooden Boat Flag & Duck FamilyLet me start off by saying that I am not a morning person, but the opportunity to film lots of classic wooden boats in the glow of morning sunlight was irresistible for me.

As part of the Sandpoint Filmmakers Network, I have set out to do more filming and thus more learning. All of the footage used in this video was captured between 5-8am on July 12, 2014. I started at the Windbag Marina to catch the sunrise and then worked my way back to the public boardwalk where the boat show location was.

If you did not have a chance to check out the classic boat festival this year, or if were there in the heat of the day when the crowds of people are there as well, perhaps you will appreciate the footage that was captured early that morning while some of you were still sleeping. Enjoy!

Want to be part of future projects like this or perhaps you just want to get more familiar with the video capabilities of your DSLR or mirrorless camera? Join the no-cost Sandpoint Filmmakers Network and become part of a pool of local resources for making films in Sandpoint.

Filed Under: Filmmaking, Sandpoint Tagged With: Classic Boat Festival, Idaho, Sandpoint, Wooden Boat Show

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