Rob and I had the distinct pleasure of being on the KRFY morning show hosted by Jack Peterson today. We had lots of fun talking about filmmaking in Sandpoint, several current and past projects as well as some of the films that are in cue. If you did not have a chance to tune in this morning, you can listen by clicking the link below.
Hello, My fellow story-tellers! I am seeking actors, a grip and 1st AC (preferably) familiar with magic lantern on the Canon 60d for the following project ::: Filming will occur in early spring (when mornings and nights are still cold enough to see your breath) in Cocolalla, Id.
Auditions for a short Film, “Hamartia”, a personal project written and directed by SFN / FAN member, Rob Lindner, will be taking place soon. I am looking for the following actors for this project =======>
Hamartia: A Covert Agent worn from active duty quits and returns home only to find that her mind cannot release her former life and choices. Trying to live peaceably with her family and children is further complicated when she is forced to return to service, leaving her children in the hands of another woman with her own motives.
Emily: A friend and confidante to Sarena. As a baby-sitter and friend, she is the most loyal and patient. She also has a secret, that she will have to deal with. Age: 20- 35
Little Boy: Living in eastern Europe is not all roses. He wants to escape the trouble that his father is facing and is just old enough to start looking for solutions of his own. Age: 7-13
Boss of Power: This Man or Woman created Sarena in his or her own image – as a fighting, target oriented soldier. However, he or she never pushed far enough to see Sarena’s humanity and needs below the toughened exterior. Age: 25-40
KINGPIN: A Man or Woman with a regime and the means and character to bend it’s membership to his/her fanciful and destructive power-trips, he/she sees the world and it’s contents as a means to his/her own perfect purpose. Age: 25 and Up.
Guards 1,2 & 3: Members of the KingPin’s militia. No moral compass here. -Just a ride out of poverty or some other roadblock in life to a guaranteed paycheck. No big deal, right? Ages: 17- 35
G-Men: Two guys on the upper echelon of paid guard duty. No emotional baggage, no family, no problem. Ages: 21-35
If interested, please contact Rob at firstname.lastname@example.org
In my ongoing efforts to film more, I have been looking for every opportunity to get out and capture local footage. Last Sunday, I had the distinct pleasure of filming the Dancing Duck Man and Andorra his blue 9+ foot alien companion at the Festival at Sandpoint “Family Concert”.
I have known Jerry Luther for more than thirty years, I first met him when I was around ten years old when he was selling “Hooey Sticks”, back when the Cedar Street Bridge was filled to the brim with artists and crafts people and the draft horse powered carriage would give people a tour of town every hour. Downtown Sandpoint was really a very special place back then. Perhaps in a future outing, I can film Jerry to do the “Hooey Man” pitch complete with bumpy propeller stick and all.
It was so much fun to finally be able to get some video of the Dancing Duck Man. It is quite magical to witness first-hand how the kids react to his ACT. To start it off, I got some decent interview footage, except for background noise from the “Instrument Petting Zoo” that disrupted some of the audio, oh well. Not to worry, the real magic is in the performance.
The Dancing Duck Man and Andorra started off by wowing the kids in line who were waiting for the gates to open. There is something truly special about seeing children interacting with a live performer. I think the experience is even more important these days with all the electronic static that seems to fill every moment of most children and adults time.
After greeting the entire line we took a short break then headed out again to dance our way through the festival’s pre-concert activities. What fun! I even found myself laughing out loud while editing the video clips that were captured. Speaking of, here is the resulting completed video from that day. I hope you enjoy watching it as much as I enjoyed creating it. More thoughts below the video…
Filming with a DSLR Camera
One thing I love about the small form factor of DSLR cameras is that most people think you are just taking photos. The smaller size seems to help people be more at ease and natural than if I had a huge and intimidating video camera. I shot nearly all of the footage from the height perspective of a child trying to always be in a position to capture special moments as they unfolded. As with all outings, I learned a ton and will put the lessons learned into bettering my next filming opportunites.
Here are four things that may help others using a DSLR camera for live performances.
- Use a tripod with a fluid video head. Some of my footage has movement, but nothing close to the shaky-cam type of footage I would have gotten without a tripod.
- This goes without saying, but use manual focus. There is nothing worse than a computer hunting for focus and trying to decide what you want to focus on. I also find that having a focus handle attached to my lens to be a wonderful tool for this type of shooting.
- Pick the f-stop you think works best for what you are trying to capture and use a variable ND filter to dial in exposure when the lighting conditions change.
- If you shoot with a Canon camera, check out Magic Lantern’s free firmware tool. I could not do this type of video footage without it. Magic Lantern does focus peaking, spot metering and Magic Zoom among a multitude of other video centered features that Canon really should have included in their cameras from the start.
For the camera gear geeks…
Camera Used: Canon 60D with Magic Lantern firmware tools
Lens Used: Vintage, all manual Takumar 55mm f/1.8 lens with M42 to EOS adapter
In-camera Custom Picture Style: CineLook by VisionColor
Tripod and Head: Aluminum tripod with a Manfrotto 701HDV fluid head
What is next in cue?
Two items I still have to edit are the Chautauqua that came through Sandpoint and the Sandpoint Fly-in which I shot last weekend. Not sure when I will have time to do them, but they will be posted in the blog when they are complete.
Want to be part of future projects like this or perhaps you just want to get more familiar with the video capabilities of your DSLR or mirrorless camera? Join the no-cost Sandpoint Filmmakers Network and become part of a pool of local resources for making films in Sandpoint.
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FOR IMMEDIATE RELEASE
July 7, 2014
Sandpoint Filmmakers Network Launched
A unique network that creates a pool of resources for local filmmakers
Sandpoint, Idaho: Today Sandpoint Filmmakers Network was launched expanding the ways that filmmakers in Sandpoint can connect with one another. For purposes of the network, the definition of filmmaker is “anyone who captures moving pictures on any kind of video or film camera, for any purpose, whether personal or commercial, formal or informal.”Regular monthly meetings will take place in Sandpoint and thereis no membership fee. All levels of interest and experience are encouraged to join at: www.sandpointfilmmakers.net
On why this network was started, organizer and life-long resident Aric Spence said, “The network concept provides an easy way for local filmmaking enthusiasts to get acquainted and possibly form teams for local projects. This resource will provide a robust community for partnering, sharing, learning, practicing and executing moviemaking skills.”
The network is not a project, a film festival or school, but a resource pool connecting the entire filmmaking community.If you would like to be involved in any aspect of making films – operating a camera, writing, acting, post-production or support – or even if you just want to practice using the video features of your DSLR camera – you are welcome. More details can be found at: www.sandpointfilmmakers.net
About Sandpoint Filmmakers Network: Sandpoint Filmmakers Network (SFN) is based in Sandpoint, Idaho. Founded in 2014, SFN is making it easier for filmmakers to share knowledge and skills while practicing various aspects of filmmaking.